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Seven Martyrs

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Transformation, integral to portals, doesn’t have to be spiritual. If you had the courage to cross this particular threshold in the 1920s, you would have witnessed the rise of the communist party in Italy: always in opposition and at times running a close second. An on-line guide suggests that crossing the threshold now might involve you in (very) old school conversations with ‘greying retro-communists’ and a Google mistranslation on the smoking ban suggests that blowjobs are given outside.

I mistakenly thought that the seven martyrs might be notable figures in the communist movement who had died for the cause. Try researching it yourself. Either it’s a reflection of the current political climate or the ultimate holders of the purse strings manipulating the media, but it’s much easier to research martyrs created by the communist persecution than martyrs for the communist cause. The latter seems to rest principally with Trotsky and Guevara.

An initial trawl reveals that Joseph Stalin and his savage enforcer, the ‘Butcher of Ukraine,’ Lazar Moses Kaganovich, created the forced starvation of ten million post-WW2 Ukrainians. On 27 June 2001, Pope John Paul II beatified twenty-eight of those martyrs: bishops, priests, nuns, and one layman who suffered and died for Christ and His Vicar under the communist scourge. This included the seven feet tall Andrej Sheptytsky, also popularly known as Moses: the ‘Moses’ of Ukraine.

As a contrast, on August 7, 2010 the extended meeting of Central Committee of the Communist Party of India (Marxist) in Vijayawada saluted and dipped its red banner to the 255 martyrs who were killed by the anti-left forces in various parts of West Bengal since the last Lok Sabha elections. They were confident that the ultimate sacrifice of these comrades would not go in vain.

Information is Beautiful asserts that more people (94M) died as a result of communism in the 20th Century than from homicide (58 M) and genocide (30M) put together. The combined death tolls of WWI (37 million) and WWII (66 million) exceed communism’s total by only 9 million. Curiously, all of the world’s worst famines between 1900 and 2000 were in communist countries: China (twice), the Soviet Union, and North Korea. 

So what of our ‘7 Martiri’? As usual, fiction based on truth is as strange as truth based on fiction.

The Chronaca di Venezia recounts that on 1 July 1 1945, 500 men of the neighborhood were compelled to stand immobile for more than two hours with their faces to the walls by the German army, then made to watch the execution of seven hostages who were deliberately chosen from the prison of Santa Maria Maggiore, guilty of other crimes including resistance but not of luring a U-boat crew into an orgy of wine and liquor resulting in the death of a night-watchman.

They were strung on a rope stretched between two erected poles, their arms outstretched in crucifixion, their backs to the lagoon. The volley of shots aimed at their chests also broke the rope, but a shot to the temple finished those writhing in agony. To remove the clots of blood, teeth, and brain matter from the pavement, the Germans gave brooms and buckets of water to the children of Castello.

Every year, on the anniversary of this event, this Communist Party club ‘7 Martiri’ organizes a commemorative ceremony. At six o’clock on 3 August, ever-dwindling numbers form a procession to the monument outside the Giardini. Next to the plaque where the candles are never lit, is the newspaper stand, which for years I have taken for a piece of outsider art: perhaps a wry comment on the nearby Biennale. Turns out this is a homage to the artist James Lee Bryars, and the seven panels each depict the lives of one of the martyred men. I always vaguely wondered why the eighth panel was blank, without ever properly focusing on that thought…

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Welcome to my portfolio website. There are two sections: one features a small selection of my work as a visual artist, the other a selection of successful projects that I curated, directed, led or project managed within arts development and the public realm.

Identity, place and space link these two areas of work. I draw on specific physical, historical and cultural environments either to inspire and locate my own work or to commission new projects for others.

I founded the b-side festival in 2008 and was Executive Director between 2012-20. During the same time I lectured on the BA Creative Events Management course at AUB and taught Fine Art at Weymouth College.

I moved back to Italy in 2020 and now live and work permanently in Sant' Elena, Venice, Italy.

A current CV can be downloaded from the 'About Me' page on this website.

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